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Monday, April 14, 2025

Tariff Gridlock--Backchannels, Mutual Interests, Concessions--The Kissinger Doctrine


erroneous ethnocentric assumption that china should call the united states over tariff stalemate

The notion that China should be the one to initiate contact with the United States to resolve the ongoing tariff stalemate reflects an ethnocentric assumption that disregards the current dynamics of the trade war. Recent developments highlight that both nations are entrenched in their positions, and neither appears willing to make unilateral concessions.

China's Firm Stance: China has explicitly stated that further U.S. tariff increases will be ignored, as the current levels (125% on U.S. goods) already render American imports uncompetitive in its market. Beijing has also called for the complete cancellation of U.S. tariffs, labeling them as a "wrong practice" and urging Washington to adopt a path of "mutual respect" for negotiations.

U.S. Tariff Strategy: The Trump administration has escalated tariffs on Chinese goods to 145%, framing them as part of a broader strategy to address trade imbalances and encourage domestic manufacturing. However, these measures have not led to meaningful negotiations, with China matching U.S. actions step for step.

Stalemate Conditions: Both sides have reached a point where further tariff increases are economically ineffective, as trade between the two countries has become nearly impossible at these rates. Analysts suggest this impasse may lead to non-tariff measures or broader geopolitical tensions, rather than immediate dialogue.

Global and Domestic Impacts: The tariff war has disrupted global supply chains and strained economic relations, with both nations experiencing significant economic repercussions. While the U.S. recently exempted certain electronics from tariffs, China viewed this as a minor adjustment rather than a substantive step toward resolution.

The expectation that China should "call" the U.S. overlooks these complexities and assumes a power dynamic that does not align with China's current posture of defiance and insistence on reciprocal respect in negotiations. Both sides appear equally responsible for initiating meaningful dialogue if they wish to break the stalemate

https://www.perplexity.ai/search/erroneous-ethnocentric-assumpt-el8jTWUZQ3.l00dZWW2bRg

it is culturally unacceptable for china to bow to the united states by phone regarding tariff gridlock

The escalating tariff conflict between the United States and China has reached a point where cultural and political factors heavily influence the dynamics of negotiation. Recent developments highlight China's firm stance against showing any semblance of submission to the U.S., particularly in light of President Donald Trump's aggressive tariff policies.

Key Developments in the Trade War

China's Retaliatory Tariffs

China recently raised tariffs on U.S. goods to 125%, following the U.S. increasing its tariffs on Chinese imports to 145%. Beijing has declared that it will not match any further tariff hikes by Washington, labeling such actions as economically illogical and dismissing them as a "joke" in global trade history.

Cultural and Political Defiance

Chinese officials have adopted a "wartime footing," mobilizing resources to counter U.S. pressure. This includes summoning diplomats back to Beijing for strategy discussions and emphasizing a narrative of resilience through public statements and social media campaigns. The phrase "never yield" has become central to China's messaging, reflecting a cultural unwillingness to appear submissive, especially via informal channels like phone calls.

Global Outreach

China is actively engaging with other nations to form alliances against U.S. tariffs, seeking to isolate Washington diplomatically. However, this effort has seen limited success so far.

Economic Impact and Stalemate

Both nations are experiencing significant economic disruptions due to the trade war, with no immediate signs of resolution. Analysts suggest that further escalation would be counterproductive for both sides, yet neither appears willing to back down.

Cultural Implications

In Chinese political culture, gestures such as bowing or yielding—especially in a context involving international disputes—are often perceived as signs of weakness. This cultural perspective makes it highly unlikely for China to engage in negotiations that could be interpreted as conceding to U.S. demands, particularly through informal or less formalized channels like phone calls.

In summary, the trade war between the U.S. and China is deeply entrenched not only in economic strategies but also in cultural and political ideologies, making a resolution through informal means improbable at this stage.

https://www.perplexity.ai/search/it-is-culturally-unacceptable-sRK5yi11TZSwZ9q5TNGLuA

the kissinger doctrine of negotiation

The "Kissinger Doctrine of Negotiation" refers to the strategic principles and methods employed by Henry Kissinger in high-stakes international diplomacy. His approach is characterized by pragmatism, meticulous preparation, and a focus on achieving stability through balance of power and national interest. Below are key elements of his negotiation doctrine:

Core Principles

Balance of Power: Kissinger prioritized maintaining an equilibrium among global powers to ensure stability, often foregrounding the national interest over ideological considerations.

Realism: He adopted a realist perspective, recognizing that each party in a negotiation has interests that could lead to agreements rather than impasse. This contrasts with hawkish or overly conciliatory approaches.

Strategic Interests Over Values: Kissinger emphasized strategic interests over moral or ideological values, focusing on pragmatic outcomes.

Key Strategies

Zooming Out and Zooming In:

Zooming Out: Kissinger analyzed the big picture, linking issues across negotiations, forming coalitions, and preparing extensively before direct talks.

Zooming In: He focused on interpersonal dynamics during negotiations, building rapport, understanding counterparts, and using tactics like constructive ambiguity to craft agreements.

Sequential Strategy:

He carefully sequenced his moves, identifying incentives and penalties to strengthen his negotiating position before engaging directly with counterparts.

Strategic sequencing allowed him to play negotiation "cards" in a way that maximized impact.

Coalition Building:

Kissinger often disaggregated multiparty negotiations into bilateral talks to simplify complex dynamics. For example, he separated negotiations between Egypt, Jordan, Syria, and Israel.

He used alliances strategically, leveraging shared interests to align disparate parties.

Constructive Ambiguity:

Agreements sometimes included carefully crafted ambiguities to allow parties to save face or declare victory while avoiding impasse.

Adaptability:

Kissinger emphasized flexibility during negotiations, adapting plans when unexpected developments arose.

Examples

Middle East Peace Negotiations: Kissinger's step-by-step approach in disengagement agreements between Israel and its neighbors highlighted his ability to manage multiparty dynamics while prioritizing incremental progress.

China and USSR Relations: His efforts to reorder alliances among China, the Soviet Union, and the U.S. during the Cold War exemplify his focus on strategic interests over ideological divides.

Legacy

Kissinger's negotiation methods are widely studied for their effectiveness in achieving diplomatic breakthroughs under challenging circumstances. His doctrine underscores the importance of preparation, strategic sequencing, coalition building, and pragmatism in international diplomacy.

https://www.perplexity.ai/search/the-kissinger-doctrine-of-nego-WIIQk_sdQCCgnDvr.pr.Bg

how might the late dr henry kissinger have proceeded to break the us-china tariff gridlock

Dr. Henry Kissinger, renowned for his diplomatic acumen, might have approached the current U.S.-China tariff gridlock by leveraging his principles of pragmatic engagement and backchannel diplomacy. His historical strategies suggest several potential methods:

1. Establishing Backchannel Communications

Kissinger was known for secretive, informal channels to initiate dialogue, as seen during his 1971 trip to China through intermediaries like Pakistan and Romania. He might have sought discreet avenues to bypass public posturing, enabling both nations to explore compromises without domestic political pressures.

2. Emphasizing Mutual Interests

Kissinger often framed negotiations around shared interests rather than ideological differences. In this case, he might have highlighted the mutual economic benefits of reducing tariffs, such as stabilizing global supply chains and boosting consumer markets. He would likely advocate for a gradual de-escalation of tariffs to rebuild trust.

3. Promoting a Concert of Nations Approach

Kissinger's vision of an international order based on cooperation could have led him to propose multilateral frameworks involving other major economies like the EU or Japan. This approach could pressure both the U.S. and China to compromise while fostering broader economic stability.

4. Strategic Concessions

In past negotiations, Kissinger demonstrated willingness to make calculated concessions, such as on Taiwan during U.S.-China normalization. He might have recommended symbolic gestures from both sides—such as tariff reductions on specific goods—to signal goodwill and pave the way for broader agreements.

5. Avoiding Escalation

Kissinger's diplomatic philosophy emphasized avoiding zero-sum conflicts. He would likely caution against further tariff hikes, warning of their long-term economic consequences and advocating for dialogue over retaliatory measures.

By combining these methods, Kissinger might have sought to break the gridlock through pragmatic diplomacy rooted in mutual benefit and strategic patience.

https://www.perplexity.ai/search/how-might-the-late-dr-henry-ki-lMKtDb5cSKGu391MfaW0cw

Image: https://www.caixinglobal.com/2023-12-02/how-kissingers-secret-visit-to-beijing-set-stage-for-us-china-rapprochment-102142063.html

(X:) https://x.com/jameslangelle 

Sunday, December 22, 2024

The Sawdust Festival-- LAGUNA BEACH, 1970

     Somewhere in the early 80s, before the floods of '83, ceramics innovator James Kouretas, had moved back from Laguna Beach after graduating from Cal State Fullerton. He rented a run-down quonset type tin-roofed shed on east side of Sacramento in North Highlands on Madison Avenue and set up shop to manufacture pottery. Along with a fellow ceramicist, Phil Schuster, they built kilns out of brick and sealed them with clay, using wood and gas to fire them to temperatures that would reach a desired temperature according to cones inside. They had access to walk-in types at Sacramento State and those were employed for large vases that James and Phil would eventually begin to create. For the most part, the handmade kilns were used solely for firing small plates, dishes and goblets. I had been with James from the beginning, from the days of the early Sawdust Festivals in late 1960-early 1970 in Laguna Beach.

     The Sawdust Festival was originally billed for those who couldn't qualify for the Festival of Arts Pageant across the street at the entrance to Laguna Canyon just on the outskirts of the town. Most of the products featured at the festival were smaller tourist-type starving-artist items, such as paintings, jewelry and pottery in the style of Kouretas. In the late 60s, James confined himself to small cups and goblets, not so perfectly designed as on a potter's wheel, but more handcrafted, with glazes that were offbeat, mismatched and often gaudy and ornate. They were innovative at best, unique at worst. He may have had a booth at the Sawdust in 1969, but he certainly had one in 1970; I built it out of driftwood, old sticks and junk that had washed up on the beach. James had taken off for points unknown for a matter of business and left me to run the booth.

     There wasn't much to running the booth, do a lot of nothing but play guitar and wait for prospective customers to buy; hardly anything was sold that summer, but it was a place to be and drew as many visitors as the big deal across the canyon boulevard. The festival got its name from the sawdust that was scattered on the ground and there were few elaborate booths in those early days, not like the ones that followed when it was discovered by the local rich crowd that pushed out the starving artists and sold upscale beads and similar overpriced junk. By then, booth space had also become too costly for the pioneers of the enterprise, that included Kouretas.


The Barn in Santa Cruz

 


 The barn was located about two miles up Old San Jose Road at 1461. James Kouretas, one of the original members of the "White Lightning" party, Laguna Beach, rented it from an old half-cripple named "Charlie," who spent most of his time at a local golf course drinking highball. 

     Tucked away across a small creek with a wooden bridge, the structure was made from wood, had two decks and two wings which served as horse corrals, on each side of the main room, accessed by massive doors that rolled open. Surrounded by trees, the barn wasn't visible from the road; additionally, a great deal of lower vegetation was in the immediate vicinity, mostly weeds and grass that needed to be chopped back to make the place habitable. It had water, there was a small bathroom in one of the outlying houses just up the small dirt road from the main house where Charlie lived alone, along with his black Labrador dog, Midnight. 

     The main lower deck of the structure was cluttered with junk; old barrels, half torn apart engine blocks, probably from some farm tractors, and a variety of rusted-out and partially useless tools for cultivating the property. The ranch, or farm, itself, extended halfway up a distant hill where a spectacular panoramic of the farm, with all the apricot and peach trees in an orchard along the highway, could be seen. In addition, the neighbors on the west side grew a variety of fruits and vegetables in the many different rows on the other side of a small fence. In addition to the weeds, gras, trees and overgrown shrubbery, there were the token critters that lived there. They included yellow jackets, centipedes and a variety of some very dangerous looking spiders, crawling and creeping from under every piece of rotten wood and rusted out tool. Ants were everywhere, birds swooped down and paid brief visits to the new occupants, that in particular being me, since James would commute from his other run-down studio at the edge of deactivated McClellan Air Base in North Highlands, on the outskirts of Sacramento.

     The barn was about 50 feet in length with the main deck at 25 feet and each corral wing extending out another 10-20 feet. The height at the crest was about 25-30 feet. The barn needed a Hollywood makeover to make it livable. Most of the junk on the main lower deck was gradually moved into the horse stalls on the wings. Kouretas rented it in the early 80s for $50/month, I lived there and we set up a kiln to fire ceramics. I spent the days working on Gomez cars, the nights in the beer bars in Capitola, and had no money at all. Now long forgotten are those days in the past, it's now a wedding venue for the rich.

Friday, December 15, 2023

POETRY 499.1001 -- Riot at the Hyatt--U. OF NEVADA, SPRING 2024


..

RIOT AT THE HYATT


This joint is dead, it needs some promotion,

Ain't enough people to start a commotion.

Maybe if I turn my guitar way up loud,

All the racket might draw a crowd.


The place next door's got a five-piece band,

They must be costin' the club a grand.

You can hear them playin' all the way down the street.

Everybody's dancing to some Latin beat.


The crowd should have been here yesterday,

I had flyers up sayin' I was gonna' play.

Nice white print on a black background,

Printed up by the underground.


They're all next door and there's no cover at the door,

They're probably all out on the dance floor.

Could care less about me playin' here,

Watchin' the locals sip cheap beer.


The crowd ain't comin' over here tonight,

Here come the rednecks, there's gonna be a fight.

Better go to the car and get my 12-gauge,

Shotgun and park it up here on the stage.


The bartender looks like he's half-asleep,

The cocktail girls are buried six-feet deep.

The customers go through a shallow routine,

This certainly ain't the place to be seen.


Gonna hide my face when I leave tonight,

Don't wanna' get paid, it wouldn't seem right.

Look for a place they won't have to exume,

The crowd from a grave when I walk in the room.



..

POETRY 499.1001--Thought Provoking Stuff--U. OF NEVADA, SPRING 2024


..

..

Thought Provoking Stuff


I just can't recite anything off the cuff,

Most of what I write isn't thought provoking stuff.


If there's  one thing I cannot stress enough

Is my lack of talent to write thought provoking stuff.

There's just a mental hangup for writing something deep,

Every time I try I want to fall to sleep.


Don't look into this poetry for some hidden theme,

Or a revelation from a recent dream.

Leave it those who are divinely inspired,

Thought provoking stuff just makes me tired.


Becoming a great poet is something I would consider,

If I didn't have such a hangup for being a quitter.

Or being called a marshmallow or creampuff

For writing thought provoking stuff.


Take it from a man who's been around the block,

I'm not big on writing or even casual talk.

So please don't upset me or make me distraught,

By making me write stuff that provokes thought.


Rene Descartes once said; "I think therefore I am,"

But I don't know what he meant by that dithyramb.

Maybe it makes sense to Socrates,

As far as I'm concerned it's written in Chinese.


If I were to have a class in poetry,
There is something I would guarantee,

I'd be forced to drop out of society

Because it doesn't mean anything to me.


So if you're looking for some clever  rhyme,

Don't look to me for I just don't have the time.

I'm not here to fill the world full of fluff,

By filling up the universe with thought provoking stuff.



..

Saturday, December 2, 2023

nn

 




Demo Reel: The One Who Really Loves You, Tragedy, String Along, Walkin' In The Sand, Sealed With A Kiss, Gonna Get Along Without You Now, Darlin' Got A Crush On You, Born To Be With You, Tell Me You're Comin'Back To Me, My Angel Baby.





Monday, October 30, 2023

ANTH281.1001--Assignment Four: Colin and Arturo: When Worldviews Collide--U OF NEVADA SPRING 2023


ANTH281.1001 
James L'Angelle 
University of Nevada 
S. Narayanan, Professor 
Spring 2023 

Assignment Four: Colin and Arturo: When Worldviews Collide'

     Colin is a busboy. Wearing a white shirt “too big” over a garish red t-shirt, he peddles hors d'oeuvres at a wedding reception in a large hall with a window backdrop in what appears along the Thames River in London.
     Arturo does Spanish recordings in a sound booth next to Bryan, who is in a separate booth doing the equivalent in English, supervised by a very critical voice coach. “Too big,” the coach admonishes Bryan for his lifeless input, praising Arturo for a standup performance after a completely insignificant recording of which button to press on a phone for choices in language, billing or to speak to a representative.
Colin is full of himself, even after being brushed off by Nancy, a sultry blonde wallflower in attendance at the reception; and by a fellow employee in the kitchen break room. His African friend insists Colin does not have a “cute British accent,” is ugly and an “arsehole.”
     Bryan suffers from terminal lack of self-esteem in the shadow of Arturo, who is praised by the voice supervisor as “sexy” and “fuego” for even the slightest positive performance, accompanied by a booth full of hot Hispanic dancers.
     As language ideologies go, Colin’s worldview is negative, Arturo’s positive. Colin’s self-styled British accent is artificial, Arturo’s Spanish is genuine. Colin supports his accent with a fabricated lingo: “taste explosion,” “dodgy,” “wicked;” he fancies himself as “Colin, God of Sex.” Arturo has no self-inflated self-image. When asked by the voice coach, “how do you do that;” Arturo responds, 
     “The universe is asking me and I just deliver it.” 
     His counterpart in the voice recording, Bryan, is a pitiful mere shell of himself, caught in the middle between the pseudo-confidence of the busboy and the authentic Latino in the booth next to him. He is about to be given the exit from the recording studio and is about to leave with a sincere apologetic, “I’m sorry,” when his inner self is discovered and he is given a second chance, in which he performs with enthusiasm.
Bryan is just a secondary character in the narrative, like Nancy, the voice coach and the dancers. It’s all about Colin, according to himself, and Arturo, who says a great deal more by saying less. The clue to both of their ideologies is in language, and combined as language ideologies, is apparent.
     Colin has convinced himself, possibly through his own sociological awareness, that he is a ladies man, describing English girls as “stuck up” and American girls as “cooler, game for a laugh.” He is a victim of his own social perception through the language he has invented to rationalize his predicament, that being “ugly” and an “arsehole.” Arturo doesn’t need to apologize for himself. When cued to voice: “Para espaƱol presione dos," he does so confidently, gesticulating with emphasis by arms upwards, index fingers extended. It’s the language of ideologies personified.
     Judith T. Irvine notes in her “Language Ideology” introduction in Oxford Bibliographies:  

     Because the concept of language ideology is so fertile, it connects to more disciplines and issues than can be reviewed here. However, those interdisciplinary links also entail some tensions, for example, concerning whether linguistic form or social issues take priority as subject matter, or whether analysis should focus more on texts or more on practices, or what is included in “language” itself. (1 )

     In other words, there is a fine line between what exactly constitutes “language ideologies:” is it all of the ancillary components - - the gestalt of psychology, philosophy and sociology that surround the culture itself, or just the language?
     In the case of Colin, it is obvious that no matter how hard he tries to be “cool,” the “God of Sex,” and living with the delusion that English girls are “stuck up” and he’s on the wrong continent; in fact, he’s on the wrong planet. No amount of linguistic communicative competence will rescue him from his worldview so long as he persists in his misguided opinion of that world. Arturo on the other hand, although he might be constrained by a worldview loaded against him because of a perceived ethnic inferiority in the Anglo universe (that asks him to deliver), is still able to overcome that drawback by accepting his role stoically; even allowing Bryan, with his fake mustache and stereotypical sunglasses, to participate in the fun and dancing. (1)

Judith T. Irvine, Ideology, Oxford Bibliographies, JT Irvine, Language Ideology
 
     As a footnote, had the Colin affair been with a focus on Nancy the wallflower, the language ideologies in a social context might have been opposite of Colin. Would she prefer the loud, rude, extroverted football loving Yank over the sophisticated Brit with the intelligent accent?
In language no less insulting than Colin’s, the British military chauffeur Emily Barham (Julie Andrews) is called a “prig” by the American, USN Lt. Cmdr. Charlie Madison (James Garner) in the World War II film The Americanization of Emily ( 1964). Her feeling was,
     "You Americans are really enjoying this war, aren't you. It's just a big Shriners convention to you Yanks." 2 The sexual harassment quid pro quo is obvious in Emily’s attitude, and in her opinion of the American male. Nonetheless, the language ideologies expressed by many cultural worldviews of American men in general are favorable, whether those individual cultures like it or not. 2
Rick McGinnis, “Fight Another Day: Paddy Chayefsky and The Americanization of Emily,” Steyn Online, 11 February 2023, 
Image credit: https://thane62.files.wordpress.com/2021/12/americanizationofemily_ineedagirl_fc_470x264_082920160713.webp ANTH281.1001 University of Nevada, Spring 2023

Friday, May 26, 2023

MOONDUNES--Artwork -- JC LANGELLE ON PINTEREST

03 September 2017   eyeless on campus


MOONDUNES--JC Langelle  (c) 2017  



bOARDS INCLUDE THE African Mask series, the Formcube, El Camino Irreal and structures listed under DIGM: The following is an example of the Formcube and Irreal fields.


https://www.pinterest.com/moondunes/boards/



A SUIVRE--